Moby Dick by Herman Melville
Moby-Dick, written in 1851, recounts the adventures of the
narrator Ishmael as he sails on the whaling ship Pequod under the command of
Captain Ahab.
Ishmael believes he has signed onto a routine commission
aboard a normal whaling vessel, but he soon learns that Captain Ahab is not
guiding the Pequod in the simple pursuit of commerce but is seeking one
specific whale, Moby-Dick, a great while whale infamous for his giant size and
his ability to destroy the whalers that seek him. Captain Ahab's wooden leg is
the result of his first encounter with the whale, when he lost both leg and
ship. After the ship sails it becomes clear that Captain Ahab is bent on
revenge and he intends to get Moby-Dick.
Ahab demonstrates erratic behavior from the very beginning
and his eccentricities magnify as the voyage progresses. As the novel draws to
a conclusion, the Pequod encounters the whaling ship Rachel. The Rachel's
captain asks Ahab to help him in a search and rescue effort for his
whaling-crew that went missing the day before -- and the captain's son is among
the missing. But when Ahab learns that the crew disappeared while tangling with
Moby-Dick he refuses the call to aid in the rescue so that he may hunt
Moby-Dick instead.
The encounter with Moby-Dick brings a tragic end to the
affair. Ishmael alone survives, using his friend Queequeg's coffin as a
flotation device until he is ironically rescued by the Rachel which has
continued to search for its missing crew.
Readers, teachers and students should also take note of a
peculiar historical curiosity. After enjoying some success in the 1840s, the
publication of Moby-Dick marked Melville's decline as a popular
writer. He was unable to support himself as a writer and accepted a job at the
New York Customs House. He continued to write, even as he faded into obscurity,
turning to poetry in his later years. He published his poems but they were
ignored and went unread. Like his novel about the great white whale, his poems
are also esteemed by modern critics and scholars.
Moby-Dick’s explosion of narrative conventions was so
revolutionary in its time that it perplexed Melville’s contemporaries and
passed quickly into obscurity.
Ishmael turns out to be less a character than a conduit for
other voices and perspectives. This is either a daring experiment in omniscient
first-person narration, or a sign that Ishmael is utterly unreliable.
The whales in this novel are silent: Melville did not know
about whale-song, and in any case sperm whales do not sing, though the music of
the prose conveys a sense of their awesome vitality.


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